Last week, I tried working on
the sequel to
The Clockwork Giant again,
and things were going nowhere. I couldn’t write because the plot was a bit
ho-hum, spawning one of last week’s posts (
go big. go bold. go dangerous.). But even though I knew the plot
needed work, I couldn’t seem to plot properly. Things were just a mumble-jumble
in my head, with no sense of order to rope in the chaos.
So I changed gears. I knew I
needed a better plot, but I didn’t know where to start. So I started doodling
the inside of a PBV-1 (technological terms!), and after drawing the gauges,
instruments, and controls, I started to fill in the scenery. Then, there were
other PBVs, airships, explosions, and bullets raining from every direction. Well, that’s interesting, says my muse
Victor. So I ask him, How can we get
Petra there? And ever-so-dutifully, Victor started giving me more images—airships,
an EMW (more abbreviations!), a battlefield, and the Guild council chambers. I
didn’t write any new scenes. I kept on with the drawings, and when I ran out of
steam on one thread, I started another. Only when I had a good number of
drawings did I start transcribing the images to scenes, which actually only
turned out to be ten. But those were ten scenes I didn’t have before.